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“... always identified as the Assunta by Italians, never the Assunzione. It​ is understandable that David Ekserdjian consistently adopts the modern museum-type categorisation of subjects. His massive and very impressive book is remarkable for the range of altarpieces he considers, covering the whole of Italy from the early 13th century to 1600, many of ...”

“... with angelic grace and with a formal complexity which is delightfully difficult to disentangle. David Ekserdjian’s book illustrates all of Correggio’s paintings, great and small, superbly well, together with many of his drawings. In the latter we can watch him weaving his compositions with a nervous pen line; giving them more unity, more softness ...”

“... of the Riace bronzes now housed in Reggio di Calabria, which are described by the present curator David Ekserdjian, nem con, as ‘among the most stupendous works of art in existence’. Such ballon is achieved through the cire perdue or lost wax technique. This involves making a solid model, usually of wax or wax-finished but sometimes of stone or ...”